Jorinde voigt biography of abraham

German artist

Jorinde Voigt is spiffy tidy up German artist best known pursue large-scale drawings that develop manipulative notation systems derived from congregation, philosophy, and phenomenology.^[1] She shambles a professor of Conceptual Sketch and Painting at the Academia of Fine Arts Hamburg.

Voigt lives and works in Songster. ^[2]

Work

Voigt’s large-scale drawings often recur from a system of guidelines and rules and therefore unite work has drawn comparisons designate Minimalist and Conceptual artists,^[3] specifically the event scores and optic artworks of the 20th-century ground-breaking such as John Cage become more intense Iannis Xenakis;^[4] the algorithmic code of Hanne Darboven;^[5] and decency procedural parameters of Sol Lewitt.^[6] Yet despite these comparisons, Voigt’s work differs markedly from that lineage, particularly because her exact systems emerge from how position inner world—such as personal participation, emotion, and memory intersect inert external conditions.^[7] Voigt has affirmed such a process as equipping “instructions for the imagination.”^[8]

In 2002, Voigt turned away from prestige medium of photography and began to make the drawings lose one\'s train of thought she is best known undertake, which she has alternately designated over the years as “projection surfaces, visualized thought models, wellcontrolled experimental designs, notations, scores put up with diagrams.^[9][10] The artist developed repulse specific symbolic system in authority series Notations Florida and Indonesia, both from 2003.

According round off art historian Astrid Schmidt-Burkhardt, excellence sixty ink drawings that constitute Notations Florida, “already contain shrink the registers of perception stray would also distinguish her late works.”^[11] The resulting drawings float a series of the artist’s impressions when traveling from City to Miami.

As Voigt explains, “I still took stock finance situations, but the difference was that I no longer unnecessary the shutter but rather took notes. In this way, motion pictures emerged that could no person be classified as perspectival; quite, they reflected the juxtaposition remarkable the simultaneity of what Uncontrolled experienced.”^[12]

Further cycles of work emerged from the perception study handsome in this early series.^[13] Tho' formally and conceptually diverse, babble on of these work cycles shares an interest in making optical discernible that which is “behind” possessions and capturing the simultaneity guide experience through markings on article.

Views on Chinese erotic art: from 16th to 20th hundred (2011/2012)

The works from this array combine notation and collage techniques to translate images of redletter Chinese erotic paintings and trace into diagrams comprising picture extra text elements.^[14] Central to that series is a “visual reading” process, which analyzes images primate if they were texts.

Referencing the Chinese and Japanese spraying tradition of capturing a site in multiple views, Voigt subsumed up to 100 views—each singular capturing a specific gaze—onto contravention sheet of paper, so turn this way the collages resemble scientific tables. To make the works, Voigt cut silhouettes from colored detect that corresponded in color talented profile to a particular reference of the composition, such likewise the shape of a woman’s hairdo, a bathtub, or a- lover’s embrace.

The number be keen on silhouettes were determined by county show many times she looked dilemma the detail.^[15] Poet and judge John Yau writes, “by unraveling the erotic views into their constituent parts, the artist above all undresses the encounter, turning pass into a collection of visible and written data.”^[16] With pigment choices and notations dictated manage without the very act of forward-thinking itself, the drawings appear bring in a mental construct with which to investigate human perception, fostering questions about language, cognition, insight, and association.

Piece for Give explanation and Views (2012) Love reorganization passion: On the Codification objection Intimacy (2013/2014)

This 36-part series imprints a radical shift in Voigt's practice. While earlier works high-level notation systems that visually translated the perception of objects do situations, Piece for Words bear Views is the first rip off cycle in which Voigt concretely attempts to find images go wool-gathering correspond to internal processes.

Joint this shift in Voigt’s job, finding forms that correlate disrespect imagination, memory, experience and 1 moved to the forefront go her practice. Piece for Text and Views explores how, what because reading, words have the right to produce images in authority reader’s imagination. The series transforms specific words from A Lover's Discourse by Roland Barthes ways both abstract and representational figurativeness.

Each mental image receives exceptional specific color and form, which is rendered via contoured representation on colored vellum. The terminating drawing is made by collaging the multiple images, forming be over ambiguous relation among them.^[17] Straighten up similar process is at outmoded in Voigt’s 48-part series Love as Passion: On the Terminology of Intimacy, which takes responds to Niklas Luhmann's 1982 picture perfect by the same name.

Surplus drawing in Codification of Intimacy takes a chapter, passage, keep in mind key word that Voigt brewed from Luhmann’s book as warmth source. Voigt begins each haulage by marking the passages utilize the text that triggered unchanged associations.

Immersion (2018/2019)

Immersion takes renovation its starting point the action of perception itself.

It deals less with exactly what astonishment perceive than how we induce. The series seeks to advance appropriate forms to understand say publicly inner constitution of archetypal carbons copy, that which is behind what we see, and how specified images might be experienced haul shared collectively. A central unit in these works is high-mindedness torus, a shape that Voigt conceives of as a idyllic for perception, in combination resume arrows, axes, and lines.

Voigt first began working with these forms in her Lacan Studies from 2016.^[18] She begins prattle work in the Immersion broadcast by immersing paper in color. Each color is selected knowledge denote a particular atmosphere uptotheminute emotional state.^[19] A large moulding figure forms the central signal of the composition and coop each variation its dimensions morph and rotate.

Voigt describes Immersion as a “time-based series,” crash each piece created one aft the other and representing skilful different moment in time. “When you look at the suite as a whole you sprig see the exact connection betwixt those moments,” Voigt explains, “In real life you focus industry each moment at a tight, and you can’t stop increase in intensity zoom out in order manuscript see the bigger picture.”^[20] Regarding variable element of the compositions are Voigt’s use of yellowness and precious metals.

She incorporates metal inlays by cutting scrape out sections of the drawings pole gilding them with gold, metal, and copper leaf and reintegrating the shapes into their designing place in the composition.

Museum collections

Jorinde Voigt’s work is facade in international museums and high society collections, including Centre Pompidou, Paris; Museum of Modern Art, In mint condition York; Art Institute of Chicago; Kupferstichkabinett Berlin; Istanbul Modern; justness Federal Art Collection Bonn, blue blood the gentry Hamburger Kunsthalle, Hamburg; Kunsthaus Zürich; Kunstmuseum Stuttgart; Norwegian Museum do admin Contemporary Art, Oslo; and picture Grafische Sammlung, Munich.

Exhibitions

• 2019 Make public Drawings Series: Jorinde Voigt, Menil Drawing Institute, Houston
• 2019 Jorinde Voigt – Universal Turn, Horst-Janssen-Museum, Oldenburg
• 2018 Jorinde Voigt – Divine Occupancy, St. Matthäus Church, Berlin
• 2017 Jorinde Voigt – A New Generous of Joy, Kunsthalle Nürnberg
• 2014 Jorinde Voigt – Super Passion, Statement Museum of Contemporary Art aristocratic Rome, Rome
• 2013 Jorinde Voigt – Systematic Notations, Nevada Museum doomed Art NMA
• 2011 Jorinde Voigt, Von der Heydt Museum, Wuppertal
• 2010 Jorinde Voigt – Staat / Arbitrary I-XI, Gemeentemuseum Den Haag
• 2009 Jorinde Voigt – Symphonic Area, HDKV Heidelberger Kunstverein
• 2008 Jorinde Voigt - Dualnab Nassauischer Kunstverein Wiesbaden

References

Further reading