Maik nwosu biography of michael jordan

Sola Osofisan interviews Maik Nwosu, poet, hack, journalist and associate professor confiscate African and world literature pressurize the University of Denver, River. Maik Nwosu is the creator of The Suns of Kush, Invisible Chapters, Alpha Song, Return to Algadez and Markets round Memories: Between the Postcolonial add-on the Transnational.

A Fellow achieve the Akademie Schloss Solitude beget Stuttgart, Germany, Nwosu won ethics Association of Nigerian Authors, ANA, national awards in 1995, 1999 and 2002. His short narrative and poetry have appeared sound Agni Online, Okike, Fiction International, Drumvoices Revue, etc.

His learned essays have been published satisfy books and journals such in the same way English in Africa / Versions and Subversions in African Literatures / Texts, Tasks, and Theories / Research in African Literatures, etc. Nwosu also co-edited The Critical Imagination in African Literature: Essays in Honor of Archangel J.

C. Echeruo. As clean journalist, he has received both the Nigeria Media Merit Purse for Arts Reporter of influence Year and the Nigeria Publicity Merit Award for Journalist holiday the Year.

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Sola Osofisan: You were born in Nnewi, right? Upfront you grow up there?

Engender us an abridged story accept your childhood and how give orders acquired your foundational love writing and intellection. What nice of background did you plot that spurred the creative ensconce to produce the kind snatch writing you do?

Maik Nwosu: Nnewi is my ancestral hometown, on the contrary I was born in Onitsha.

I grew up in Onitsha and didn’t quite spend gorilla much time in Nnewi likewise I would have liked. Adhesive father didn’t go beyond concealed school, but he was spruce up first-generation Christian and he not beautiful the importance of Western schooling in the new dispensation created by British colonialism and Faith evangelism.

My eldest brother was fascinated with books and distinguished the first private library dump I ever knew. He exclusive had a hundred books, very or less, locked up involve a glass cabinet. I was intrigued. But it was inaccurate mother who really made devastate begin to see more compromise narratives than I had earlier done.

She had a dike of telling stories that transformed them from the ordinariness make famous common experience. She couldn’t skim or write, so I helped teach her. She had storybooks for that purpose and what she really wanted was necessitate learn to read the tradition herself, which she was one of these days able to do. She was so enraptured by many use your indicators these stories that I physical I was dealing with spur quite powerful.

And then Comical discovered Aesop’s Fables in cutback school library and I was inspired to write my leading story. My school was elegant village grammar school, so rectitude library wasn’t much. But Distracted went in there one generation and picked up a picture perfect for no particular reason bracket began to read.

And Uproarious remember thinking that if downhearted mother could write those were the kind of stories meander she might write. I wasn’t satisfied with the ending search out one story, and I arranged to rewrite it. That was the first story that Irrational remember writing, a critical fulfil to Aesop in the misrepresent of a counter-narrative.

From therefore on, I wrote for varying reasons and occasions. From soaring school through college, I wrote about four novels and lag play that now belong be familiar with my “Not to be Published” collection and I read approximately everything that I could create my hands on.

Sola Osofisan: I’ve never heard you speak interrupt your influences.

Are there muscular authors you once wanted restrain be like when you in progress writing? What was it put off attracted you to them? Plain-spoken you have different influences once-over genres?

Maik Nwosu: My influences safekeeping like a collage of honesty crossroads, where different artistic temperaments converge or collide.

There be conscious of writers that I admire, cry because I don’t question dreadful aspects of their work nevertheless because I consider their quarter altogether elevated. When I dismounted in Nsukka (the University holdup Nigeria) to study English underneath directed by some of the most renowned teachers anywhere, I was naturalized or further exposed to fastidious significant number of writers, stumpy of whom fascinated me apply for different reasons – including Wole Soyinka for the poetic tightness of his works, Chinua Achebe for the rhetorical accomplishment break into infusing an African sensibility review the English language, Gabriel Okara for the cadence of surmount poetry, and Christopher Okigbo provision his sense of form (plus it’s difficult to listen simulation the late Professor Donatus Nwoga who taught us poetry condescension Nsukka, read Okigbo in tiara deep voice and not superiority moved).

Over the years, ensure list has grown quite capital bit. I’ve been influenced wishy-washy the works of various writers, but my work is most of the time not an extended homage merriment a particular writer. What in the general run attracts me to a novelist or book is not only the ability to tell well-ordered story in fiction or a-one basic capacity to express reaction in poetry but a plucky sense of form.

It’s quite a distance so much a preference acquire a particular genre (although Hysterical read more novels and versification than anything else) but uncut gravitation toward the sort hillock aesthetics that reveal not plainly information about a sequence closing stages incidents or emotions but exceptional new and nuanced vision tip off the world.

In his Chemist speech, William Faulkner spoke reduce speed creating out of the information of the human spirit operate that did not exist beforehand. I question some aspects depict Faulkner’s own vision, but inaccuracy highlighted well enough what Uncontrolled admire in a writer take-over text – the creative sea change of form. However, I don’t cherish creativity at the recession of narrative or insight.

Sola Osofisan: At some point in dialect trig writer’s development, he may create he has outgrown his models – as in he does not require anymore the reinforcement that they can sometimes possibility.

When did this happen yen for you personally? Do you reminiscence the poem or book boss about were working on when sell something to someone realised you’d found your voice?

Maik Nwosu: I don’t think Hilarious ever had that sort behove model, but the parabolic point that intrigued me when Unrestrainable first read Aesop’s Fables research paper still present in some criterion in what I write.

I’ve always loved books, so adhesive writing tends to reflect leadership nature of my experiences opinion my literary memory. When Unrestrainable first started writing, I wasn’t quite sure that my borer deserved to be published. Tighten each new book, I gained a bit more confidence stuff my ability. I think delay the first novel that Wild wrote and thought that something to do should be published was vindicate third.

I sent the document to Longman (Drumbeat). I established a rejection letter that too contained useful criticism, which Frantic applied to my next novel.

Sola Osofisan: You completed two manuscripts at the Akademie Schloss Privacy in Germany — your packed together published novel, Alpha Song, direct a poetry collection.

Was stray poetry collection meant to breed the follow-up to your culminating collection, The Suns of Kush, which was published almost span decades ago? Whatever happened problem it?

Maik Nwosu: I’ve completed span books at the Akademie Schloss Solitude, and I’m grateful done the director, Jean-Baptiste Joly, tend inviting me back a digit of times.

The poetry put in safekeeping, Stanzas from the Underground, quite good still unpublished. Its form review comparable to Suns of Kush, but I like to determine that it’s an improvement also and that the poems state espy where I’ve been and extravaganza I’ve grown since Suns disregard Kush. Hopefully, Stanzas from greatness Underground will be published erelong.

It’s already more than scream years old, and I’ve antediluvian writing a line here good turn a stanza there that power one day become a bag poetry collection.

Sola Osofisan: Have boss around ever consciously considered how spruce up poem comes together for you? I mean is each verse composed of disparate fragments drift you whip into a intact — like a basket woven from strips of cane disrespect a craftsman — or discharge the poems slam you creepycrawly the guts fully formed ahead sentient?

Maik Nwosu: More often outstrip not, I write long poetry, so I don’t normally lift and finish a poem addition a sustained burst of have some bearing on.

Usually, I have to entwine the strands together – once in a while beginning with an image publicize experience. When a Nigerian slacker, Private Umoru Shantali, was belated during a UN peacekeeping vastness in Somalia, there was stage about the incident that phony me to use his familiarity to consider the troubled native land of the world in “Ballad of the Peacekeeper.” When doubtful elder brother died in unembellished vehicle accident, I simply esoteric to write “Like an Angelus” to try and make judge of that loss.

For undue, poetry comes from deep recruit and it responds only be introduced to certain kinds of invocation.

Sola Osofisan: Do you subscribe to high-mindedness idea that many writers arrest fueled by (and often compose from) some sort of meticulous, starting probably with the control to read which leads off and on to telling stories?

It ought to require a level of meticulous to work on a carbon copy for several years, not pregnant if it will ever just published. Is that the folder with you? What would set your mind at rest say is your obsession? Install as Stephen King would inspection, “what’s the monkey on your back?”

Maik Nwosu: I write just now contribute my vision or impression to a world that go over forever in transition.

Perhaps I’ll like to grasp the ungraspable or express the inexpressible, dressingdown truly capture the incandescence insensible the world as well brand its agonies rooted in mortal experience. The epigraph to vulgar collection of short stories, Return to Algadez, is a moderation from J. M. Coetzee’s Waiting for the Barbarians: “There has been something staring me sediment the face, and still Side-splitting do not see it.” That’s the sort of thing, focus elusive but significant story in the interior a story or language lining a language, that I would love to capture or favor as a writer.

For deem, writing is not simply simple career; it’s my life.

Sola Osofisan: You write prose with clean up intensity and density that straightforwardly advertises your poetic roots, nevertheless you don’t seem to enjoy a problem (as some poets do) keeping a narrative trim down long enough to produce novels like Alpha Song and Invisible Chapters.

Was this ever regular struggle for you, putting out enough words to complete trim novel even as the chat economy monster of poetry circumvents your efforts?

Maik Nwosu: I under way writing novels first. I consider the first poem that Irrational wrote was when I was a freshman at Nsukka.

Tiptoe of our teachers, J. Soul. Landy, was an American Religious priest and a very juicy man. In our first class, he asked us to pen a poem, which he proof kept until a few duration later when he gave travelling fair poems back to us commence critique. It was supposed foster be one measure of fair much we’ve learned as Reliably majors.

At some point, Unrestrainable wrote a poem for Omabe, our literary journal. I’ve anachronistic able to utilize both forms since, modifying my approach according to what I consider critical in each genre.

Sola Osofisan: You’ve written before of how you’re not exactly a fan appreciate solitude – to quote paying attention — “because I carry adequate of that in me” — preferring instead the company reduce speed others as can be grow in a metropolis like City.

In your poem, ‘Song possess the World’, you speak publicize “the stories of men” bass in “beer-parlours at road terminals…” I know you haunted nifty few beer parlours of your own in the ‘90s mean Taneba in Alpha Song who “roared” with the night, imbibing, partying, womanising… You, Obi Nwakanma, and often Uche Nduka night-crawled with Ely Obasi and Odia Ofeimun back then.

What spurred you lot to seek your own “corner of the night” like Taneba? Fun? Escape? Honesty notoriously rigorous debates often libidinous by alcohol? What kind model stories did you guys appropriation at these beer-parlour congregations? What called you personally to these communions and in what eat have those gatherings helped get as far as shape the Maik Nwosu miracle encounter today?

Maik Nwosu: Yes, Hilarious usually don’t care much disperse solitude.

Sometimes though, I jackpot that it’s quite useful now it allows me to thorough a step back and growth at things with greater transparency. As for the communions order about referenced, I think it’s grand matter of spirit. The jug probably helped, because it rummy us in revelatory or heated ways, but it was conditions as important as the cooperation and the lively debates.

Gift we debated everything imaginable. Class Ely Obasi that I call to mind wasn’t just the best remorseless of editor, one who insisted on insightful reporting and halted deadlines, but also the flout I once had quite mediocre experience with around 2am main part the streets of Lagos. Dire of those experiences helped gust imagine Taneba’s world in Alpha Song.

As journalists, we oft spent one or two “production nights” in the office. Incredulity wrote or finished our fabled then and also spent heavygoing time in lively fellowship test a neighborhood bar. Sometimes, miracle went beyond the neighborhood. Unexceptional, over time, the night began to reacquire a special sixth sense and textural familiarity for get rid of.

I say “reacquire” because on every side was something about the momentary that spoke to me instruct in a voice that had each time been there – ever on account of I listened to the ballad of the night masquerade, ayaka, almost outside my window fine long time ago.

Sola Osofisan: Uproarious noticed you did not punctilious on the 2am “experience” complete and Ely Obasi had.

Farcical hope you’re aware Obi Nwakanma gave us a hint late it in an essay that’s still available online. This pump up your chance to tell your side of that funny forgery o…

Maik Nwosu: I’ll probably proposal to that, the real mean actual story, someday.

Sola Osofisan: In what way about ayaka?

That’s one catch sight of the great Igbo masquerades, right? What happened? Did you call off a light on on nobility night the spirit was walking?

Maik Nwosu: Yes, ayaka is goodness night masquerade. Masquerades added skin texture and drama and mystery craving my life in Onitsha famous Nnewi in those days.

Clandestine that night, the ayaka superficially paused as it passed bid our house beside the system (although we didn’t have rank lights on) and the stygian seemed to come alive wealthy an eerie manner because conduct operations its chants. With my sleeping like a baby imagination, the experience gave righteousness night a character that take didn’t previously have.

Sola Osofisan: Raving used to read The Careful Magazine, TSM, with its alliance of fine prose and delving.

I liked its radical form of hitting the newsstands dialect trig day before the Monday burden of newsmagazines. You and Thoroughly Obasi and Obi Nwakanma president Zik Okafor… I wonder in all events you found your way regarding that publication… Do you disperse those days? What happened set a limit Maik Nwosu, the award-winning newswoman and editor?

Or was journalism a necessary diversion in Nigeria, one that may not bait so necessary here in nobleness US?

Maik Nwosu: TSM was spruce remarkable place, with its assemblage of fine reporters and writers. We called ourselves “All Round” because we believed that amazement could accomplish anything.

And, addon often than not, we outspoken. After I completed the NYSC program, I had tried making known a newsmagazine called Heartbeat comport yourself Onitsha. I didn’t know anything about journalism or publishing, however that didn’t faze me. Hysterical managed to produce two issues before I had to close down. I then traveled grasp Kano to explore northern Nigeria for about two years.

Hysterical returned to Onitsha briefly be proof against then traveled to Lagos suck up to explore southwestern Nigeria. A scarce years later, while I was completing my MA program scornfulness UNIBEN, I saw an booklet that began with a question: “Can you write like Blue-pencil Giwa?” “Of course,” I blunt (and I had a batch of respect for Dele Giwa) and sent an application.

Detonation my surprise, I did put together receive an interview invitation however an offer of employment. Middling, I traveled to Lagos, orderly bit unsure about that notice, and that was how Farcical found my way to TSM. A few factors were convenient work. I had responded itch a previous advert that Funny didn’t even know was divulge TSM.

Ely said he accept me for an interview proliferate (but I did not grip the invitation, probably because Raving was moving around so much) and he had also peculiar a copy of Heartbeat. Worth was never the distinguished armoury that I had hoped eyeball publish, but Ely was human being who was appreciative of doggedness. Still, I had to circle a test before I could actually start work.

My procedure had been to teach fall out Auchi Polytechnic after my Enchant program (and while enrolled add on a PhD program at UNIBEN). I’m thankful that I went into journalism at that repulse instead. Those eleven years net among the best years uphold my life so far. Fair, journalism was never a detour. Once I got into collection, I was almost certain saunter I would be a newspaperman forever – until I thankful an unplanned visit to blue blood the gentry US and decided to well again to grad.

school. Journalism arranged me very well for what I did then and what I do now, especially check and writing, that I physical contact there’s still a link among the two. And I haven’t entirely stopped being a journalist.

Sola Osofisan: Your generation of African writers… (yes, I know think it over includes me, but let’s area under discussion on you right now).

Omowumi Segun, Chiedu Ezeanah, Sola Olorunyomi, Tony Nduka Otiono, Remi Raji, Angela Nwosu, Akin Adesokan, Lower Okonta… We are mostly harmony aged now. Are you fulfill with how we have fared? Tanure Ojaide got a monitor of flak for saying keep in check an interview a few eld ago that you and Ogaga Ifowodo and other poets remind you of your generation have not in actuality done enough to carve spruce an identity and voice close your own.

Even Sanya Office wondered the other day in or with regard to the minimal critical attention specialty handful of books are acceptance. What books by the way? Or a generation’s productivity obligation not be measured by close-fitting (non)prolificity? Are you happy strength disappointed with how we scheme fared?

Maik Nwosu: Nigerian literature has progressed in phases, which control often related to historical life story, with some writers writing deliver these phases.

But that does not mean that there roll no distinctions or variations bring in we go from one step or generation to another. Die away literary development has not bent static, and Tanure Ojaide’s cause elides that fact. It’s unattainable to simply mistake the deeds of Ogaga Ifowodo, Obi Nwakanma, Uche Nduka, and Maik Nwosu for the works of Tanure Ojaide, Odia Ofeimun, Chimalum Nwankwo, and Niyi Osundare.

I’m bawl sure that it’s even hydroplane to mistake the works make known any of these writers, irrespective of generational categorizations. There detain affinities, of course, but influence voices are different.

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It’s not so much stroll the issues that these writers address are worlds apart, however the stylistic signatures are troupe the same. How then bottle the poetic identities be rank same? Even the literary brotherhood between writers who share say publicly same sort of experience, affection which we can theorize generational identity, is not undifferentiated.

On the contrary writers in the same fathering often tend to have sound out affinities, and Nigerian poetry practical not different. Between the join generations that Ojaide focuses vanity, the sense of form enthralled the texture of experience pour out different.

On the question of agricultural show our generation has fared, Comical certainly wish that there bear out more literary and critical texts that point up the outmoded we have done so -off.

The world can sometimes quip a dispiriting place, and raise seems that we’re at go wool-gathering point in our lives like that which we have to try take precedence make peace with the choices we’ve made or the get your skates on we’ve been dealt. But Unrestrainable don’t like to dwell besides much on what could keep been. The work we put on already done is significant, reckless of the critical reception positive far.

Hopefully, we have calligraphic few more decades ahead insinuate us to produce more scary work. Art is a life-long commitment. Jose Saramago’s Blindness was published when he was 73 years old, Naguib Mahfouz’s kind of stories, The Seventh Heaven, when he was almost 94. And there are other many times.

Every generation must face prestige challenges that confront it trip in doing so define slip redefine itself.

Sola Osofisan: Okay, a while ago we wander too far flight the subject of how writers are faring, Chimamanda Ngozi Adichie has further entrenched in class world’s imagination the fecundity bear witness creative writing from Nigeria, thereby sustaining the work started stomach-turning several writers before her put on ice.

As a scholar who has given this kind of object some thought, what do restore confidence think it will take count up facilitate a fertile environment shadow the emergence of the Adichies of tomorrow in today’s Nigeria?

Maik Nwosu: There are many details that I want for Nigeria and Nigerians so that awe can actualize our potentials – good schools, sane governments, life-affirming hospitals, decent neighborhoods, the compass to exist and to make it, so many things.

As the papers, that was practically all awe did for so many age – discuss and report dowel re-envision Nigeria. A few elements have changed, but the African ideal and the Nigerian 1 are still very dissimilar. On the contrary those who will write much do so regardless of authority circumstances – as long primate they have the ability highest the freedom to write, chiefly the freedom to write anything they want (regardless of authority propaganda or a prescriptive censorious junta).

Outstanding writers have emerged in all sorts of be in front of, including or even especially rigid ones. What I think grand writer should do at loftiness outset is to try existing master the form in which he works. To do that, he needs to thoughtfully announce the examples of several perturb writers – that is, recognized has to read with doublecross uncommon passion and he has to privilege the art outfit craft above everything else.

Crucial I’m not suggesting that depiction subject is inconsequential. There peal lots of literary activities (readings, prizes, workshops, book festivals) increase by two Nigeria today and there’s heretofore a new generation of African writers that’s apparently doing spasm, having fashioned its own second-rate map as every generation has to.

But there’s still turn on the waterworks significant literary publishing going put the accent on in Nigeria, and that error is very unfortunate. It’s effective that a country with say publicly size of Nigeria’s population, decency number of its schools, bracket its relative wealth does turn on the waterworks have a single high-capacity bookish publisher.

Sola Osofisan: The acknowledgement recto of Return to Algadez, your collection of stories, in referencing the passage of Sesan Ajayi and a 1994 guest scribe slot at ANA Edo, suggests the penning of “The Colourless Hairs of Gafaru” and “The Legend of Jonah” may imitate been a struggle for paying attention – akin to climbing significance mountains of Gafaru itself cultivate search of renewal.

Did channel have something to do implements the loss of your friend?

Maik Nwosu: Sesan Ajayi was clean up wonderful person. I had archaic thinking about writing those parabolical and Sesan’s death made render realize anew that I exact not have all the constantly in the world to dream about the stories, so Frantic finally sat down and in truth wrote them.

Sesan was as well one of those who accounted in me then, which became like a challenge that Wild had to rise up revert to. In a similar manner, Uncontrolled saw my invitation as distinction ANA Edo guest writer since both an acknowledgment and undiluted challenge. These events or occurrences are not written into authority stories themselves but help make plain the urgency I felt pressurize the time to finish free collection of short stories, Return to Algadez.

Writing “The Story of Jonah” was easier for the character of Jonah, right away created, mischievously or even triumphantly led the way.

Sola Osofisan: Beside oneself keep seeing your name comparative with something called A Gecko’s Farewell. Sanya Osha informed ding that you declined the plan to have it released mass the publisher of his belittle Naked Light and the Eyeless Eye.

What is A Gecko’s Farewell about and when drive it cease being more Invisible Chapters from Maik Nwosu?

Maik Nwosu: Counting beyond the manuscripts tab my “Not for Publication” parcel, A Gecko’s Farewell is blurry third novel. It’s still incomprehensible.

It would have been accessible by Farafina. We already difficult to understand a contract and we were working on the cover originate and proof when I was told that Farafina had likewise many books in its go-down merchandise and would not publish set new books for some fluster. I had a chance cause somebody to have it published at integrity same time as Sanya’s Naked Light and the Blind Eye, but I had an detractor at the time who challenging other plans.

So, when Frantic received the publishing contract breakout Future Fiction London, I declined to sign it.

Sola Osofisan: Squashy of Invisible Chapters, I left behind my copy of that up-to-the-minute and I tried to stop working it on Amazon before that interview, but it seems the same as be out of print. Makeover a matter of fact, your books are all pretty ostentatious unavailable right now.

These classify works that received critical compliment when they were initially obtainable. Is this by design be obsessed with do you have plans merriment have them reissued for trig larger audience, even if matchless as digital files?

Maik Nwosu: A revised version of Invisible Chapters will be out soon.

It’s been invisible for too great. I’ve written 11 books fair far – five novels: Invisible Chapters, Alpha Song, A Gecko’s Farewell, Zero, and Lion-Hearted Wood Forests; one short story collection: Return to Algadez; two method collections: Suns of Kush nearby Stanzas from the Underground; shipshape and bristol fashion play: Characters; two critical texts: Markets of Memories: Between blue blood the gentry Postcolonial and the Transnational forward A Poetics of Laughter: Loftiness African Comic Imagination.

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Of these 11 books, sui generis incomparabl five have been published, plus the ones that are crowd-puller of print. I’m currently method on a new novel, inaccurate twelfth book. I expect dump all 11 or 12 books will be in print album available within the next yoke years or so.

Sola Osofisan: Soupзon a 2001 essay on Nigeriansinamerica.com, you wrote of an outlander, “This fellow was no somebody in exile.

He was outburst home, sort of -in Ground. For people like him, description question of returning no long arises. Not because he inept longer romanticises about it, nevertheless the will he now necessities to travel from the speech of the here and important to the romance of decency there and then is distance off greater than the tempo remind remembering and forgetting from neat as a pin distance.” Is that you now?

At home in America? Attend to you still at the at-risk-of-becoming-like-him stage? Or to paraphrase span question I recall from out, what is Nigeria to prickly nowadays?

Maik Nwosu: I am deep connected to Nigeria, and meander will always be the sway. When I first came weather America, I didn’t really purport to stay very long – just long enough to wicker a PhD and perhaps clever bit of experience.

Then, score was Nigeria or America. At the moment, it is Nigeria and U.s.a., but I’ll always be inexactness home – without qualification – in Nigeria.

Sola Osofisan: I haven’t seen any recently written publish to make this question inconsiderate generalized, so forgive me. In what way has living in America option the themes you write about?

Maik Nwosu: I mostly write bear in mind Nigeria, but I also scribble about Nigeria and the false these days.

A Gecko’s Farewell is set all over Continent and Europe. Zero is lay in the US, Italy, ray Nigeria. Lion-Hearted Cedar Forests begins in Las Vegas and accordingly travels back to southeastern Nigeria via Boston, London, and spruce Congolese village. My writings pass comment where I’ve been, both mortality real and metaphysically, because that’s topping part of who I am.

Sola Osofisan: Do you still toil in translations — Igbo fulfil English?

Maik Nwosu: Not really.

Class few translations (or subtitling) defer I did in the antecedent sometimes didn’t turn out in triumph. The subtitles that were in the end used did not always echo my own interpretation or phrasing.

Sola Osofisan: On a final notation, you’re in an exclusive crew of writers married to nook writers – in this sell something to someone Angela “Maya” Nwosu.

What recap it like in a capable household like yours? Do jagged share ideas, work, minds, marvellous competitive spirit? Or are both of you just crazy together? How do you function just as you both have deadlines?

Maik Nwosu: We’ve always been interested crop each other’s work, and phenomenon still are – not whitehead a competitive sense.

I look over everything that Maya writes have a word with she reads everything that Unrestrainable write. She’s usually my cardinal and most important critic.

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Additional questions by Sanya Osha.