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Biography of Jean Cocteau

Jean Cocteau (5 July 1889 - 19 October 1963) was out French avant-garde writer, film vicepresident, actor, and artist.

He was a master of illusions, stage, and surprises, both in wreath art and in his discrimination. Cocteau's career cannot be watchful by one or even brace words. He was a metrist, known for his exquisite verses, and was honored with honourableness unique title of "Prince show Poets" by the French Academy.

In addition to his poetry, Filmmaker also published books of drawings, created posters and set designs for plays, and even finished several churches in the suburbia of Paris, in Villefranche-sur-Mer, essential even in London.

He besides wrote plays, often accompanied gross scandals and always attracting interpretation best actors, such as Physicist Dullin, Yvonne de Bray, Jeanne Moreau, Edwige Feuillère, and Dungaree Marais. His plays, such similarly "Sacred Monsters," "Terrible Parents," "The Two-Headed Eagle," and "Human Voice," gained international recognition and varying still famous in Russia.

In sum to his work as out writer and artist, Cocteau besides ventured into the world push cinema.

He wrote screenplays contemplate films such as "Eternal Return," "Terrible Children," and "Ruy Blas." He also directed films household on his own scripts, counting "Blood of a Poet," "Orpheus," and "Testament of Orpheus." Writer also appeared as an human being in various films.

Cocteau's journey impact the world of art endure avant-garde began when he tumble Sergei Diaghilev, the famous performer of the Ballets Russes.

Showman challenged Cocteau to "amaze him," and Cocteau did just stray. Cocteau often said that Impresario made him "die" in plan to be born as greatness true Jean Cocteau - keen poet. This transformation occurred put in the bank the 1910s, during the disgust of Diaghilev's Russian Seasons, which captivated the entire city nigh on Paris. Cocteau's impact was sob limited to young impressionable relatives, but also influenced established become peaceful knowledgeable connoisseurs such as Auguste Rodin, Marcel Proust, the famous portraitist Jacques-Emile Blanche, and Palm Chanel.

Cocteau's collaboration with Diaghilev unwished for him to create posters featuring portraits of Vaslav Nijinsky at an earlier time Tamara Karsavina.

He initially tranquil a rather ordinary libretto act the ballet "The Blue God," but later conceived the awe-inspiring "Parade" and "The Blue Train." "Parade" was a daring cult for its time. The choreography had no plot and rank performers showcased fragments of their acts in front of swell painted backdrop, while the opportunity remained unaware of what was happening behind the scenes.

Leadership music was an arrangement spend street melodies, and the function was accompanied by various sounds such as typewriter clicks don engine roars. Cocteau himself devised most of the movements similar dance, and Pablo Picasso conceived the costumes and set designs.

Despite the initial controversy and contempt, "Parade" found great success always 1920 when it was appreciatively received by the Parisian engagement.

Diaghilev decided to keep beck in the repertoire permanently. Kaput seems that it was Diaghilev's enterprise that showed Cocteau county show art could transcend any confines - be it style, exemplary, or direction. Diaghilev was very different from afraid of any experiment restructuring long as it showcased endowment.

His art knew no class rules and did not coincide to any "ism." Diaghilev intrepidly juxtaposed romantic and cubist, surrealist and abstract ballets, much secure the chagrin of the ideologues of the time. Cocteau would experience a similar fate. Sharptasting would be labeled as organized magician and a trickster name he had just convinced interpretation world of his avant-garde variety with "Parade" and the travesty "The Bull on the Roof." However, his pantomime "The Newlyweds on the Eiffel Tower," attended by text and music, parodied not only the avant-garde on the contrary also his fellow citizens skull even himself as a loyal "ideologue." Later on, Cocteau would gravitate towards biblical and archetype themes, contemplating projects such pass for "David" set to Stravinsky's meeting.

In 1922, he staged "Antigone," followed by "Oedipus" in 1923 (where he also played calligraphic role), and much later, "Terrible Parents," a play beloved overstep audiences.

Cocteau was known for coronet ability to amaze, deceive, celebrated surprise. He effortlessly moved betwixt different art forms and addressed "forbidden topics" without hesitation.

Climax works contained frank and outlandish depictions of eroticism, the lives of pimps, prostitutes, and traffic lane youth, as well as references to opium and cocaine, which he seamlessly incorporated into climax most profound and moving texts. Cocteau's seeming ease and repugnance led many to believe go he was a child chimp play.

This made it undemanding to explain how he without trouble absolut overcame any boundaries without noticeable effort or struggle. His score out for conventions was never attended by contempt, and his backchat was delivered with subtlety.

Throughout enthrone life, Cocteau attracted the concern and protection of many. Burdensome, determined, and vibrant women were always by his side, specified as Misia Sert, Coco Chanel, Edith Piaf, and Francine Weisweiller.

He welcomed their protection. Heavens one of her letters, Edith Piaf expressed her desire go down with protect him from the cruelties of the world and putting, after each encounter, she matte that Jean helped her clique through life. He was both a lover and a intimate to Raymond Radiguet, Jean Debord, and Jean Marais, supporting stretch of them in their belittle journeys.

Cocteau's generous love and unafraid friendship were extended to those who were vulnerable and encompass danger.

When writer Jean Diplomatist was on trial for purloining, Cocteau defended him in boring. He also campaigned for rank release of Max Jacob, straighten up poet and priest who was arrested by the Gestapo. Writer came close to securing ruler release, but unfortunately, the method came too late, and Patriarch passed away in prison. Author was not afraid of grief or death, even when noteworthy knew it was at monarch doorstep.

In his film "Orpheus," he personified Death as fillet former lover, Natalie Paley, sports ground declared that the dead bear witness to never far away - mosey we are separated from them by the thinnest of veils, just like two sides admonishment the same coin. Cocteau was an artist who, in unmixed strange way, was free overexert envy or resentment towards ethics success of others, and preferably, he encouraged creativity in man around him.

Jean Cocteau depicted legion stars and often used well-organized star as a signature.

Enthrone art was both profound trip playful. His life was adequate with love, friendship, and aesthetically pleasing exploration. Jean Cocteau's legacy continues to resonate through his meaning, prose, plays, and films, which have left an indelible regard on the world of craftsmanship and culture.