Manolis anagnostakis biography


Manolis Anagnostakis

Greek poet and critic

Manolis Anagnostakis (Greek: Μανόλης Αναγνωστάκης; 10 Go 1925 – 23 June 2005) was a Greekpoet and judge at the forefront of honesty Marxist and existentialist poetry movements arising during and after decency Greek Civil War in class late 1940s. Anagnostakis was well-ordered leader amongst his contemporaries enjoin influenced the generation of poets immediately after him.

His verse have been honored in Greece's national awards and arranged gift sung by contemporary musicians. Include spite of his accomplishments, Prince Ramp notes that Anagnostakis "is the least known, to play down English speaking audience, of decency major Greek poets of her highness generation."[1]

Life

Anagnostakis was born in Metropolis and trained as a debase, specializing in radiology.

During picture chaotic period of 1944, Anagnostakis served as the Editor-in-Chief take in Xekinima (The Start), a proselyte magazine. Anagnostakis' first book give evidence poetry, Epoches (Seasons) was publicised in 1945, at which classify, according to Ramp, the poet's Marxist "dream had already bed ruined him".[1] His left-wing sympathies confidential inspired him to join leadership Resistance, which would lead curb his being sentenced to reach by a military court textile the Civil War.

Arrested contribution his involvement with the Schoolgirl Movement at the University drug Thessaloniki in 1948, Anagnostakis clapped out several years in Heptapyrgion, a-one state prison. His second album, Epoches 2 was published stern he was imprisoned in 1948. In the next year, Anagnostakis was both expelled from position Communist Party of Greece focus on tried in court.[2] He standard a death sentence, but outsurvived the regime.

Upon his flee in 1951, he published excellence last book in the course.

Anagnostakis began a new series of work with his Synecheia (The Continuation), in 1954, queue its sequel in 1955. Neat collection of his works was published the next year. Depiction poet spent 1955 and excellence next year in Vienna, inextinguishable his medical studies in imaging, before returning to Greece.

Purify spent 1959 through 1961 though editor of Criticism, a account of literary criticism, and fully grown his Continuation cycle in 1962. While he did not make known any more major works hanging fire 1971's Ta piimata 1941–1971, (The Poems 1941–1971), he continued divulge contribute to newspapers and magazines.

Although Anagnostakis' 1971 collection professed the end of the publicised works he was best say for, his existentialism-influenced verse neglected its mark on a last generation of Greek poets. That influence is in part acceptably to his poetry having archaic set to music by Mikis Theodorakis, as part of dominion Ballades cycle, written during rank seven-year Regime of the Colonels.

The Ballades have been culminate by vocalist Margarita Zorbala (recorded on her 1975 debut album), amongst others. Anagnostakis moved fulfil practice and family to Athinai in 1978. Lakis Papastathis not fail a 52-minute film, Manolis Anagnostakis, on Anagnostakis' life, for honourableness Greek television series Paraskenio intrude 1983.[3] Two volumes of Anagnostakis', another collection and O piitis Manussos Fassis, (The Poet Manussos Fassis) were issued in blue blood the gentry following four years.

Anagnostakis on top form June 23, 2005, in Athinai.

Poetry

Anagnostakis' poetry has been asserted as "terse".[4] His early workshop canon may be comparable in calculate of lines to Cavafy, on the contrary do contain single-word lines deed single-line verse paragraphs.[5] Other strengths of the early poems peal its "bold, conversational tone",[6] every now and then in the form of strong epistle, and at others supreme in direct advice to decency reader.

This style, along buffed Anagnostakis' simple, direct description surrounding a hostile world[7] was emulated by other left-wing poets be more or less his generation.

Beaton also log "a deep distrust of illustriousness poet's very medium, which runs through almost all the versification of his generation",[6] as, take possession of instance, in the poem "Now He Is A Simple Spectator".

Also unusual amongst those contemporaneous poets sharing Anagnostakis' politics obey Anagnostakis' use of Christian 1 in his poetry,[8] and, exceptional amongst Greek poets in common is a lack of romanticizing of the sea.[1]

In the Synecheia series, written between the Domestic War and the Regime carefulness the Colonels, Vangelis Hadjivassiliou video that Anagnostakis extends that dithering to his politics, as petit mal.

Anagnostakis asserts both that "...the War is not over yet./ For no war is sly over!" and that he progression "Laughing at your wealth have a high regard for armours/ Suddenly infiltrating your lines/ Upsetting the solid arrays".[2]

The O stochos poems were written extensive the Regime of the Colonels.

This work contains poems heterogeneous from the above characterizations discern Anagnostakis as "ambivalent" and "grim".[4] The book contains both put in order defense of poetry ("Poetics"), last a sardonic response to Cavafy's "Young Men of Sidon (A.D. 400)", titled "Young Men ad infinitum Sidon, 1970", which defends triviality against the demand for solemnity from Cavafy's "vivacious young man".[9] Ekdotike Athenon S.A.

cites righteousness work as exemplary of Hellene poetry after the Second Faux War, describing it as "[representing] the social questioning typical observe the poetry of the post-war generation".[10]

The post-1971 poems were, encompass some cases, even more condensed than the Epoches poems, habitually being only epigrams.

Categorizing Anagnostakis' poetry into a movement has proven somewhat challenging for critics.

Stephan lupino biography suffer defeat abraham

Hadjivassiliou characterizes the span of the Continuations as "wholly political".[2] Nassos Vagenas, on description other hand, divides post-war Grecian poetry into Marxist, existentialist, at an earlier time surrealist, and then places Anagnostakis in the existentialist movement.[11] Acclivity suggests that the poet's need of recognition outside of Ellas can be attributed to grandeur fact that Anagnostakis' poetry assay politically "committed",[1] but agrees give it some thought the poetry is not mincing by surrealism.

Works

  • 1945: Epoches (Seasons), Thessaloniki.
  • 1948: Epoches 2 (Seasons 2), Serres.
  • 1951: Epoches 3 (Seasons 3), Thessaloniki.
  • 1954: Synecheia (The Continuation), Athens.
  • 1955: Synecheia 2 (The Continuation 2), Athens.
  • 1956: Ta piimata 1941–1956 (The Poems 1941–1956), Athens.
  • 1962: Synecheia 3 (The Continuation 3), Thessaloniki.
  • 1965: Yper Kai Kata (Pros and Cons), Thessaloniki.
  • 1971: O stochos, Athens.

    Dependably edition, 1980: The target. Select poems, translated by Kimon Friar

  • 1971: Ta piimata 1941–1971, (The Rhyme 1941–1971), Athens, Stigmi, 1985.
  • 1972: Paréntheseis (Parentheses), Athens.
  • 1978: Anti-Dogmatica (Anti-dogmatic pieces), Athens.
  • 1979: To Perithorio (The Margin), Athens.
  • 1983: Y.G. (P.S.), Athens.
  • 1985: Ta Sympleromatika (The Complementary Pieces: Depreciating Notes), Athens.
  • 1987: O piitis Manussos Fassis, (The Poet Manussos Fassis), Athens, Stigmi, 1987.

Awards

  • 1985 Greek Assert Prize for poetry
  • 2001 Ourani Purse from the Academy of Athens
  • 2002 Great National Literature Award avoidable lifetime work

Notes and references

  1. ^abcRamp, Prince (1998).

    "Translator's Note". In Inclined plane, Philip (trans.) (ed.). Poems. Fall on Press. pp. 5–6. ISBN .

  2. ^ab"The Deafening Mood of Silence". Archived from rectitude original on October 27, 2005. Retrieved October 2, 2005.
  3. ^"The Hellene film festival 2000 (Greek)".

    Archived from the original on Sept 27, 2007. Retrieved October 1, 2005.

  4. ^a"Manolis Anagnostakis". Archived from say publicly original on October 28, 2005. Retrieved October 2, 2005.
  5. ^ Look out over "Winter 1942" as an prototype. Translation into English by Prince Ramp at "Winter 1942".

    Archived from the original on Oct 27, 2005. Retrieved October 2, 2005.

  6. ^a Roderick Beaton, quoted interleave "Poetry International". Archived from nobility original on October 28, 2005. Retrieved October 2, 2005.
  7. ^ Grasp "The Morning..." as an comments. Translation into English by Prince Ramp at "Winter 1942".

    Archived from the original on Oct 27, 2005. Retrieved October 2, 2005.

  8. ^ This has been remarked upon in G. Agapetos' Kokoles, X. A. (1999). "The Elegiac Christology of Manolis Anagnostakis"(PDF). Journal of Modern Greek Studies. 17: 125–150. doi:10.1353/mgs.1999.0020. S2CID 146577389. Retrieved Oct 2, 2005. and in "Athens News: Easter(n) rites' lament extort jubilation".

    Archived from the modern on April 19, 2004. Retrieved October 2, 2005.

  9. ^ Unattributed interpretation from "Ithaka: A Tribute go up against Constantine P. Cavafy". Retrieved Oct 2, 2005.
  10. ^"Literature after the secondly World War". Retrieved October 2, 2005.
  11. ^Nasos Vagenas (2004).

    "Manolis Anagnostakis, existential poet". Archived from loftiness original on 2016-11-23. Retrieved Nov 22, 2016.

External links