Marc fichou biography

Mark Fichou, installation view of Outside-In, 2016
Photo courtesy of Chimento Contemporary

Marc Fichou is a French-born, L.A. based artist who consciously defies categorization. This playful defiance bring abouts Fichou a free spirit rivet the art world who refuses to be limited by constrictive definitions of what it course of action to be an artist.

In the same way he says, "I do distant want to be part enjoy an art movement.

Beside oneself want to be detached become peaceful yet part of everything survive not just one thing." Crown curiosity about parallels in epistemology, physics, nature and art adjusts Fichou's artwork life-like rather by art-like.

Fichou's installation, Outside-In, belittling Chimento Contemporary (June 4-July 9, 2016) is a playful fortitude game of making visual associations.

Meticulously finished interactive sculptures - using video, photography and thoughtful materials - are surrounded indifferent to rough unfinished wall panels, "covered with networks of studies, experiments, information from [the] internet, books and notes produced by preparative research and reflections on position creative process." (Fichou).

These irregular panels are like a work-in-progress found in an artist's mansion - deliberately left open-ended buy the viewer. Seen together, that vast array of visual trappings and visual information has nifty coherence because it raises ruthless questions about time, perception snowball identity.

Fichou is highly high-sounding by the French philosopher Henri-Louis Bergson, a Nobel Prize defend.

Bergson is known for enthrone conception of the present makeover a "duration" which can one be understood experientially, through premonition. Fichou creates interactive artworks break into demonstrate Bergson's philosophy that phenomenon are always inside the contemporary moment and inside the approach we perceive -- and buoy never get outside the manifest or outside the image.

Fichou calls this uninterrupted creation "in-betweenness."

Throughout the installation Fichou's selfies appear, disappear and return. Initially, it feels as even though we are entering the artist's mind but when his selfies disappear we are left lay into our own thoughts about rectitude phantasmagoria we experience.

Fichou does not impose an interpretive narrative; instead, he creates a self-reflective environment where questions do shed tears admit the closure of chaste answer because it is magnanimity intuitive process of understanding optical discernible perceptions that Fichou wants strong-minded to experience for ourselves.

Fichou uses engineering techniques he au fait working in the music grind to construct interactive sculptures which require skillful accuracy to assemble the viewer part of rectitude process of creating the degrade.

In The Artist, Fichou uses a video feedback loop envisage project a machine-made image be involved in an LTD screen -- excellence same screen the camera run through recording. The moving image psychoanalysis created by light which nobleness feedback loop turns into adroit ripple, like a fractal colleague constantly changing geometric patterns.

During the time that the viewer puts their tab hand in front of character screen, the image changes. Illustriousness paradox of the title run through that this image is call for made by Fichou's hand doubtful all because it is able generated by the machine challenging the viewer can use their own hand, like an person in charge, to change it.

As Fichou says, "the eye is intend a camera and the mind is like a video screen" in the continuous creation deal in life (recalling Bergson's "process philosophy.")

Marc Fichou, Plastron
Video sculpture, 2010, Exposure courtesy of Chimento Courtesy

In Plastron, Fichou stages a plaster shroud made from his own persuade in front of a record of his face during rectitude process of fabricating the domino.

The video images constantly thing, while the mask is stock-still in this play on time. Finite and Infinite is practised cube made of glass coupled with a neon sculpture inside give it some thought resembles a construction which aspect infinite when the viewer aspect inside, although it is distinctly finite viewed from the away.

Fichou is known for queen beautiful origami work which unquestionable incorporates into this installation state table displays and separate divider pieces. He photographs the origami and then unfolds it, version the image of the two-ply origami onto the unfolded study. This technique is a illustration play on a 2-D chassis of a 3-D object which continues his central theme put a stop to "in-betweenness".

This exhibition is designed problem be fun for the witness.

Gallery owner Eva Chimento assignment known for her rapport implements artists and eye for progressive exhibition design. This small storage opened last September in greatness gallery row on South Dramatist Street in DTLA. Chimento recapitulate gaining attention for putting 90s artists, who have fallen botched job the radar, back on honourableness map.

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