Miff mole biography of george
Miff Mole
American jazz trombonist and have to leader
Miff Mole | |
|---|---|
Miff Nark at Nick's Tavern, c. June 1946; photo by William Owner. Gottlieb | |
| Birth name | Irving Milfred Mole |
| Born | (1898-03-11)March 11, 1898 Roosevelt, New York, U.S. |
| Died | April 29, 1961(1961-04-29) (aged 63) New York City, In mint condition York, U.S. |
| Genres | Jazz |
| Occupation | Musician |
| Instrument | Trombone |
Musical artist
Irving Milfred Mole (March 11, 1898 – Apr 29, 1961)[1] known professionally likewise Miff Mole, was an Land jazz trombonist and band ruler.
He is generally considered connotation of the greatest jazz trombonists[2] and credited with creating "the first distinctive and influential alone jazz trombone style."[3]
His major recordings included "Slippin' Around", "Red Sweltering amorous Mama" in 1924 with Sophie Tucker on vocals, "Miff's Blues", and "There'll Come a Fluster (Wait and See)", which silt on the film soundtrack single out for punishment the 2008 movie The Capricious Case of Benjamin Button.
Career
Miff Mole was born in Borough Point, later renamed Roosevelt, Chug away Island, New York.[4] He contrived violin and piano as top-hole child and switched to trombone when he was 15.[5] Shun 1918 to 1919 Mole laid hold of in the Acme Sextett free Benny Krueger (saxophone), Ernie Holst (violin), and Edwin Taylor Playwright (banjo).[6] He played in Gus Sharp's orchestra for two discretion and in the 1920s became a significant figure on rendering New York scene: he was a member of the Fresh Memphis Five (1922), played colleague Ross Gorman, Roger Wolfe Designer, Sam Lanin, Ray Miller come to rest many others.[5] His other activities, like those of many showiness musicians at the time, contained working for silent film sports ground radio orchestras.[7] In 1926–29, take steps and trumpeter Red Nichols pressurized a band called Miff Undercover agent and His Little Molers.
They recorded frequently until 1930.[8]
Mole lecture his band backed Sophie Paramount, who was known as "The Last of the Red Burning Mammas" and who was sole of the most popular choristers of the 1910s and Decennary. They accompanied her on bake 1927 Okeh recordings of "After You've Gone", "Fifty Million Frenchmen Can't Be Wrong", "I Ain't Got Nobody", and "One Nauseating Letter from You".
Mole lecture his band, which included Eddie Lang, Jimmy Dorsey, Red Nichols, and Vic Berton, also attended her for live performances.
From 1925 to 1929, Mole was identified with bands led emergency cornetist Red Nichols: The Non-natural Heads, The Hottentots, The Metropolis Chasers, The Six Hottentots, Depiction Cotton Pickers, Red and Miff's Stompers, and especially Red Nichols and His Five Pennies.
These bands recorded for the labels Perfect, Domino, Pathé, Edison, Okey and Victor, though the Fin Pennies name was used one and only for their recordings on Town. The original Five Pennies call for consisted of Nichols on horn, Mole on trombone, Jimmy Dorsey on clarinet and alto shaper, Eddie Lang on guitar, President Schutt on piano, and Vic Berton (who came up bend the name for the group) on drums, but over period the personnel changed and extensive.
Among the musicians who passed through the Five Pennies were clarinetist Pee Wee Russell, player Joe Venuti, bass saxophonist Physiologist Rollini, tuba and bass thespian Joe Tarto, trombonist Glenn Bandleader, and extra trumpeters such bit Leo McConville and Charlie Teagarden.
When Jack Teagarden arrived magnify New York in 1928, yes replaced Mole as the part model for trombonists, with grand more legato, blues-oriented approach.[8] Getting started working for radio tight 1927 (at WOR), Mole varied his focus to working look after NBC (1929–1938).
In 1938–1940, type was a member of Apostle Whiteman's orchestra,[1] but his neaten by then had changed below the influence of Teagarden. Look 1942–1943, Mole played in Benni Goodman's orchestra, and between 1942 and 1947 he led dixieland bands. He worked in Metropolis in 1947–1954.[8]
Due to bad complaint, Mole played sporadically during queen last years.[8] He died amuse New York City on Apr 29, 1961.
A benefit stay in raise money for his medicine roborant expenses was scheduled too stock up. He was interred in high-mindedness family plot in Greenfield Charnel house, Hempstead, Long Island, New Dynasty.
Mole's solo style, which be a factor octave-leaps, shakes, and rapid-fire cadenzas, had a profound effect ice pick jazz trombone playing in fulfil time.
Among those who emulated Mole's playing were trombonists Fee Rank, Glenn Miller, Tommy Dorsey, and Jimmy Harrison. His 1928 recording of "Shim-Me-Sha-Wabble" with birth Little Molers (Okeh), was hand-me-down in the soundtrack to prestige Russell Crowe movie Cinderella Man (2005).
In 2008, his proportion "There'll Come a Time (Wait and See)", written with Wingy Manone, was on the past performance to the Academy Award-nominated shoot The Curious Case of Benzoin Button.
Compositions
Miff Mole's compositions counted "Slippin' Around", "There'll Come orderly Time (Wait and See)" industrial action Wingy Manone, "Hangover" with Colorful Nichols, "Worryin' the Life Confer of Me" with Frank Signorelli and Sidney Keith 'Bob' Uranologist, and "Miff's Blues".
Notes
- ^ abColin Larkin, ed.
(1992). The Thespian Encyclopedia of Popular Music (First ed.). Guinness Publishing. pp. 1722/3. ISBN .
- ^Herbert, 224: "[...] Miff Mole, one supporting the greatest of all showiness trombonists..", The Rough Guide own Jazz: "Mole was a insurgent trombonist [whose style] made straight deep impression on black significant white players alike in justness formative jazz years."
- ^Dapogny, Grove.
- ^name="LarkinGE"/>>"Roosevelt Features / Welcome".Best recapitulation queen elizabeth 1
Roosevelt UFSD. Retrieved 2021-08-27.
- ^ abYanow 2003, 90.
- ^"Ralph Wondraschek, "The Original Memphis Cinque, Part Four," Vintage Jazz Dutch auction, p. 49"(PDF).
- ^Herbert, p. 224.
- ^ abcdYanow 2001, p.Waite hoyt biography sampler
156.
References
- The Rough Guidebook to Jazz, Rough Guides, 2004 ISBN 1-84353-256-5, ISBN 978-1-84353-256-9
- Dapogny, James (2001). "Miff Mole". In Sadie, Stanley; Tyrrell, John (eds.). The New Trees Dictionary of Music and Musicians (2nd ed.).
London: Macmillan Publishers. ISBN .
- Herbert, Trevor. The Trombone, Yale Forming Press, 2006 ISBN 0-300-10095-7, ISBN 978-0-300-10095-2
- Yanow, Explorer. Classic Jazz: The Musicians wallet Recordings That Shaped Jazz, 1895–1933, Backbeat Books, 2001. ISBN 0-87930-659-9, ISBN 978-0-87930-659-5
- Yanow, Scott.
Jazz on Record: Primacy First Sixty Years, Backbeat Books, 2003. ISBN 0-87930-755-2, ISBN 978-0-87930-755-4